THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are often craving romantics, using this type of variation: Buster appears a plausible mate, plus the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been made in a far more liberated time, it is possible to imagine Keaton in bed with a girl, but disquieting to think about the Tramp for a sexual currently bein